Recently in mobile Category
Amongst the news of Blu-Ray, 3D and Digital Projectors was one technology I had to think twice about. A blu-ray DVD that links into social networking. You watch a movie at home and friends who are watching it at the same time can comment and chat on the TV screen.
Personally I hate people who talk in the movies, and I don't think I'm going to appreciate my facebook aquaintainces giving me their thoughts as I watch a film. Do people want this? Are there any signs? Are we talking on our mobiles while friends watch films? do we text them SMS messages? Do you hear teenagers parting in the playground with calls of 'let's all watch 'Gossip Girl' at the same time and chat'?
With all the calls for content to be free of time and space and the proclaimed death of appointment viewing - is this a little of target?
What do you think?
See the article at the WALL STREET JOURNAL
In November we posted a link to a story about webisodes, FTI Member Justine Smith provides this guest post in response to the article.
I think the article is focussing on points which are not
completely relevant. What they are referring to, I think is the re-packaging of
material and putting a price on this for creative development. If you want to
understand more about this have a look at the current negotiations in Hollywood
between the Writers’ Guild and studio execs. Hollywood is on hold waiting for
this to be resolved. The Directors’ Guild of America are coming in behind the
Writers’ as their agreements are also up for negotiation soon.
But if we’re talking purely content generated for on-line
viewing I have a lot to offer. I was recently a participant in the Portable
Screen Academy in Melbourne which is directly exploring this territory.
The first
point is: People are already making money from creating webisodes.
{Have a look at this surprise hit story of a one-off http://www.catfish.net.au/index.php?h=NewMedia}
The main examples that we studied were extremely profitable
enterprises. We met and were mentored by the creators of these success stories.
In North America Miles Beckett and team started the “Lonely
Girl 15” phenomenon. They looked at what works on YouTube, mostly copyright
rip-offs and video-blogging. Obviously the only profitable area was focussing
on video-blogging. Lonely Girl created a
video blogger identity. A short series began, with Bree complaining about her
parents and not being able to go out as much as she would like.
A buzz was created. People started to wonder who this person
was, where they lived, what her parents did for work, which religious sect they
belonged to. And those people were asking these questions on-line in forums and
on Lonely Girls profile pages.
Eventually the Lonely Girl team came out and stated publicly
this is a fiction, we have created Bree and her story. It was a scandal without too much bite, a
victimless crime, and Lonely Girl’s buzz increased as word got out.
Now Bree has loads of fans and followers and the story still
continues 18months after it started.
Next step, the
spin-off.
The Lonely Girl team noticed that they had world popularity,
but the most impact was close to home where users has more opportunity to
interact with the characters and story. So they created a new series in the UK,
Kate Modern.
Luke Hyams is a key writer and producer for the Kate Modern
series. Using the same format profile, but new characters and storylines the
new UK series was created. But this time they started with a big budget. Due to
the notoriety of Lonely Girl, the team garnered immediate sponsorship and
alignment with the social-networing site, Bebo. Bebo is the primary
social-networking tool in the UK, and they saw this as a way keeping there
difference and excitement for consumers. They held initial first- run of all
episodes, before the ep’s could then be re-distributed in ‘traditional’ on-line
areas, such as You Tube – a virtual free-to-air distributor.
Highly
successful. Highly interactive.
A standout story for me was hearing how they held an Art
Gallery opening of Kate’s work. Only 12 viewers showed up as no-one really
believed it was for real. The writers had devised a double-whammy for this
event and thus staged an abduction of another character at the Opening. Some
savvy viewers recorded this on their mobile phones and effectively scooped the
Kate Modern team by uploading that night. But it also created a greater buzz
and there are loads of loyal viewers and participants in this show
week-to-week.
Profitable
Webisodes Downunder
The local version of this type of online serial is the
Melbourne based “Forget the Rules”. Their second series is uploading as we
speak.
They started out in the first series offering viewer
participation by giving a choice of 3 endings which would be voted on, chosen,
written, filmed, edited and uploaded all within a week. Loads of fun and very
vital filmmaking.
They are linked with Optus for the second series and also
received development funding from Film
Victoria.
Portable
Screen Academy
We produced in two teams of 12, two separate on-line serial
formats. Then we broke our teams down and in smaller groups to create
individual episodes. Bearing in mind that we filmed in about an hour and half, and
edited in an hour then compressed and uploaded all in one day, a mighty effort.
All our work was fitted around seminars and speakers, but it feels great to
have put it into practice and see how possible it all is. The other West
Australian on the course was Kane Jason. He was on the Help Me Get Karen team,
and I was on the Forever storyline.
Follow the links below to learn more about these on-line
serials. And if you are going to look at my story (Forever – Episode 3) please put in a comment and favourite it, and
give it 5 stars. Support local content, harnessing these new delivery
forms.
Cheers,
Justine
YOU TUBE
Forever –
Episode 1 http://youtube.com/watch?v=x0mwaCd5yY0
Forever –
Episode 2 http://youtube.com/watch?v=HqYPZwQLlBU
Forever –
Episode 3 http://youtube.com/watch?v=zjLB8luUDRQ
Forever
Productions http://youtube.com/user/foreverproductions20
YOU TUBE
Help Me Get
Karen – Episode 1 http://youtube.com/watch?v=SN-pvoTA9vQ
Help Me Get
Karen – Episode 2 http://youtube.com/watch?v=oBuklV1YA70
Help Me Get
Karen – Episode 3 http://youtube.com/watch?v=W6Kfkj6I1ZI
Help Me Get
Karen – Episode 4 http://youtube.com/watch?v=pzq5k6JI5m8
It is what it
is what it is http://youtube.com/user/itiswhatitiswhatitis
PORTABLE FILM
FESTIVAL
http://portablefilmfestival.com/
Forever –
Episode 1 http://portablefilmfestival.com/video.php?video=206
Forever –
Episode 2 http://portablefilmfestival.com/video.php?video=209
Forever –
Episode 3 http://portablefilmfestival.com/video.php?video=207
Help
Me Get Karen – Episode 1
http://portablefilmfestival.com/video.php?video=202
Help Me Get Karen – Episode 2 http://portablefilmfestival.com/video.php?video=203
Help Me Get Karen – Episode 3
http://portablefilmfestival.com/video.php?video=204
Help Me Get Karen – Episode 4
http://portablefilmfestival.com/video.php?video=205
Also of interest:
Have a look at our actor Oliver Clark, in another online
creation…
http://portablefilmfestival.com/video.php?video=167
Australian made webisodes, generating an income, and
harnessing the form.
http://www.forgettherules.com/
Lonely Girl 15
– from the USA
http://youtube.com/user/lonelygirl15
Kate Modern –
the UK spin-off
http://youtube.com/user/KateModernLG15
http://www.bebo.com/katemodern
The billboards aren't everywhere though, just in towns and cities that have been included in the shows spralling and complexly interlinked flashback sequences.
Over at READ-WRITE-WEB
there is a great article by Alex Iskold about the rise of hyper local
information. If you've never comes across the discussions focusing on
this phenomenon this is a great place to start.
DROWING IN INFORMATION
As we drown in the ‘The Age of
Information’ we can find more and more information about particular people,
places and events. The challenge as always been in managing and
organising the masses of information. While tagging has allowed for a
different methodology geo-tagging linking a photo or video or story to its
latitude and longitude opens up a whole new world. Imagine if everyone
who ever lived in a house loaded up their home movies and photos and linked
them to the physical location. The history
of a particular space is exposed.
FILMS FOR A SMALL AUDIENCE
We often here that the future of
film is in mass global audiences and our key to open the door is the unique
qualities of our locale. Sure this is
true, W.A. looks amazing if your not here everyday – just as I think
Some would argue that many
filmmakers already do this. (but joke’s
aside)
If you have predictive texting on
your mobile phone and you’re not careful your phone may call the ‘Scotsman’ the
‘Pantsman’. This has caused many
trendy young filmmakers to send an SMS asking their friends to ‘Meet them at
the Pants Man’. This has lead to the
popular drinking spot rapidly being given a new informal name.

